片名：不安蓝光

《不安》罗伯托·罗西里尼拍的这部电影，什么时候公映啊

《不安》高清剧情片电影完整版http://www.jnttjx.com/tjx/85132-0-0.html

制片地区： 其它

导演： 罗伯托·罗西里尼

编剧： 罗伯托·罗西里尼

主演： 英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特

上映时间： 1954

对白语言： 汉语普通话 / 英语

色彩： 彩色

更新时间：2024-05-25 01:00

《不安》是根据一个真实故事改编的，那《不安》故事的大致内容是怎样的?？

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

《不安》为什么可以成为经典？

提起其它电影，人们就肯定会说出《不安》的名字。这部由罗伯托·罗西里尼导演，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特主演的《不安》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连罗伯托·罗西里尼导演和英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特，都没想到这部剧情片会得到这样好的反响。罗伯托·罗西里尼先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《不安》开拍之前，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特已经有4年无戏可拍，而英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《不安》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！

《不安》是什么类型的片子

《不安》该剧剧情紧凑，《不安》故事曲折，重要的是英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特演技精湛毫不含糊，导演罗伯托·罗西里尼也没有设计浮夸的造型和飘忽玄幻的人设。《不安》自上线以来，前两集让很多抱着看大尺度剧情片心态的观众没有失望,《不安》是一部绝佳不可错过的剧情片